
The Artist Elias Crespin, April 2012

Installation at Cecilia de Torres, New York, 2012

Circuconcéntricos Latón, 2012, Brass, nylon, motors, 39⅜ x 39⅜ in. 100 x 100 cm.

Circuconcéntricos Latón

Circuconcéntricos Latón

Plano Flexionante 2, 2012, Stainless steel, nylon, motors, 19 ft. 5 in. x 9½ in. 592 x 25 cm.

Installation view of Tapiz 7, Pentaconcéntricos Latón, and Plano Flexionante 3

Installation view of Plano Flexionante 3

Malla 8 Paralelas, 2012, Stainless steel, lead, nylon, motors, 19¼ x 19¼ in. 49 x 49 cm.

Malla 8 Paralelas

Malla 8 Paralelas

Plano Flexionante 3, 2012, Stainless steel, aluminium, nickel silver, nylon, motors, 19 ft. 2 in. x 31⅞ in. 584 x 81 cm.

Pentaconcéntricos Latón, 2012, Stainless steel, nylon, motors, 39⅜ x 37⅜ in. 100 x 95 cm.

Pentaconcéntricos Latón

Pentaconcéntricos Latón

Installation view of Tapiz 5, Malla 8 Paralelas, and Tapiz 7

Tapiz 5, 2012, 70¾ x 55 in. 180 x 140 cm., Stainless steel, nylon, motors

Tapiz 6, 2012, Stainless steel, nylon, motors, 23⅝ x 55 in. 60 x 140 cm.

Tapiz 6

Installation view of Malla 8 Paralelas and Tapiz 7

Installation view of Circuconcéntricos Latón and Plano Flexionante 2

Installation at Cecilia de Torres, New York, 2012

Installation at Cecilia de Torres, New York, 2012
VIDEO: Circuconcéntricos Latón
VIDEO: Malla 8 Paralelas
VIDEO: Pentaconcéntricos Latón
VIDEO: Plano Flexionante 2
VIDEO: Plano Flexionante 3
VIDEO: Tapiz 6
This is the first gallery solo exhibition of kinetic sculpture by Elias Crespin, with seven new suspended sculptures moving in space that create ethereal shadows.
Crespin's work consists of articulated and interconnected elements of metal or acrylic in geometric forms: circles, squares, and lines suspended from near invisible nylon threads.
These suspended elements move through the air, powered by the unseen rotations of hundreds of tiny motors in a choreography controlled by software of Crespin's creation, started with the click of an iphone or ipad.
We invite you to view Crespin's sculpture first hand.
An exhibition catalogue with essay by Cecilia Fajardo-Hill is available.
b. 1965, Caracas, Venezuela – lives in Paris, France since 2008
The child of mathematicians, Crespin grew up in Caracas, Venezuela visiting the studio of his grandmother, the famous artist Gego (Gertrud Goldschmidt) and her partner, the artist and designer Gerd Leufert. There, the young Crespin was encouraged to experiment with different materials. Crespin's mathematical inclinations led him to study Computer Science at Venezuela's Central University, where he delved into the mathematics of graphics and learned how to model formulas. After working for various software companies and then his own consulting firm he decided to use his skills toward the making of art.
Bridging the gap between technology and art, Crespin creates wire grid structures, in keeping with the tradition of Venezuelan constructivism of which he is a direct descendent. Controlled by moving threads triggered by a computer program designed by the artist, his artworks seem to dance in the air as they adopt new forms and patterns.
Crespin currently lives and works in Paris, and his art is included in such collections as the Museum of Fine Arts, Houston, Texas; the Museo de Arte Latinoamericano de Buenos Aires, and El Museo del Barrio, New York, as well as numerous prestigious private collections. His work has been exhibited internationally and is currently on view at the Grand Palais [Dynamo: A Century of Light and Movement in Art, 1913-2013] and the Galerie Denise René, Paris; Fondation Boghossian, Fondation Hermès and La Maison Particulière, Brussels, Belgium; and the Fundació Stämpfli, Sitges, Spain.